Venue : Seoul National University
@ Conference / Concert Hall
09:30 - 11:00
Conference of the composer Martin Matalon "CINE-CONCERT - Metropolis - Buñuel triptych - Chaplin Factory"
Conference of the composer Martin Matalon
@ Classroom 204
11:30 - 12:00
Robosonic Play
by Elias Naphausen (Technical University of Applied Sciences Augsburg)
12:00 - 12:30
A New (Digital) Forge : Modal Synthesis and Material Aurality
by Emiddio Vasquez (Arizona State University)
12:30 - 13:00
Collective Individuation in Virtual Spaces: AI-driven co-creativity and Telematics for Inclusive Music-Making
by Hans Kretz (Stanford University)
13:00-14:30 Lunch Break
14:30 - 15:00
AudioStellar, an open source corpus-based musical instrument for latent sound structure discovery and sonic experimentation
by Augustin Spinetto (Temple University Japan)
15:00 - 15:30
Sonifying Chemical Evolution - Compositional Strategy in First Life
by Steve Everett (City University of New York)
15:30 - 16:00
Convergence of AI and Human in 21st Century Digital Contemporary Music - Focusing on 'AI Improvisation’
by Yuseon Won (Seoul National University)
16:30 - 17:00
Xinghai EIE Studio Presentation
by Marco Bidin and students *** ONLINE *** (Xinghai Conservatory of Music)
17:00 - 17:30
Algorithmic Composition Techniques for Ancient Chinese Music Restoration and Reproduction-A Melody Generator Approach
by Tiange Zhou (School of Future Design, Beijing Normal University)
17:30 - 18:00
An Adaptive Acoustic Software or Perceptual Audio Codec for Instrumental Music, which can be tangibly used for Music Hardware,
Products & Accessories
by Arnab Dalal
@ Classroom 207
11:30-12:00
Modular and Interfaced Spat5 SPAT in Max for Live device “TSofL”
by JING-SHIUAN TSANG
12:00-12:30
Sound Installation as a Concert Instrument
by Chao-Ming TUNG
14:30 - 15:00
PAAR: Proximal Auditory Augmented Reality system ...
by Hiromichi Kitazume (Hokkaido University of Education & The University of Tokyo)
15:00 - 15:30
PAAR Flaming Circle: Realization of the space-time music environment pursued by Luigi NONO
by Jinyoung Lee (University of Tokyo)
15:30 - 16:00
Techniques for "subject oriented" spatialized music
by William Fastenow & Christopher Dobrian (University of Callifornia)
16:30 - 17:00
SDI (Spatially Distributed Instrument)
by Jan Ove Hennig
17:00 - 17:30
The Gods are Calling
by Shravni Sangamnerkar & Tanya Chatuvedi (Royal College of Art)
@ Classroom 206 Meeting Room and Poster
10:30 - 17:00
- Wavespace : A Highly Explorable Wavetable Generator by Hazounne Lee (Seoul National University)
- Coherent Multimodal Instrument Design - Case of Granula Synthesizer by Myungin LEE *** ONLINE *** (University of Maryland)
- Latent Audio Effects (LAFX) by Kyungsu Kim (Seoul National University)
- Riddle of Dancing Mozart ... Realization of Proximal Music Acoustic Space - Time with "PAAR-Flaming Circle" by Yusei Tamura, Hiromich Kitazume, Shigekazo Ishihara, Akira Yoshida, JinYoung Lee. Ph.D and Ken Ito (University of Tokyo)
- Virtuosic embodiment of a Modalys string through color tracking technology by Yongwoo Lee (Hanyang University)
- Automated 3D Audio Control and Remixing System by Seungryeol Palik (Seoul National University)
@ Classroom 427
12:00 - 12:30
Fragments 1-11
by Yun Park, Jeanyoon Choi ( Art Council Korea, Korea Advanced Institute of Science & Technology)
12:30 - 13:00
The Symphony of Civilisation
by Jeanyoon Choi & Suhyun Lim (KAIST Industrial Design Department)
13:00-14:30 Lunch Break
14:30 - 15:00
Howling Vault-controlling audio feedback with flocking algorithms in the dome
by Jsuk Han
15:00 - 15:30
Electronic Poem
by Kittipan Janbuala (Silpakorn University)
15:30 - 16:00
Zen of Aggression : Composing the Transformational Hybrid
by Berk Yagli (University of the Arts London)
